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POST POST ART – ART OF VIVISECTION

Playing with the archetypes of culture ("Gestalten" in the sense of C.G.Jung´s theory). The works - cultural mutants, hybrids – are objects of vivisection, vaccination, deconstruction, are forms of delegitimation and dissolution of the cultural canons. Vivisection proposes the division, dismemberment of the original systems of signals (gestalt-image, gestalt-name etc.) and their translation into another, artistic mileau (ornamentation, hot-water-bottle-relief, cages ...); it proposes the innoculation of the original organism with strange elements, organs. The goal is the creation of a new intercultural environs, making a multiplicity of interpretations possible. Works seen as a shared metastructure – an "operating-table for sewing machine and umbrella" (Breton) – are given meaming not by isolation of objects, but by the radicality of their universal existence. The new metastructural objects remain indefinite due to the division of form and content – a change of position of form and content in a permanent process, a shift through fragmentation or as a consequence of fragmentation. The basic principles of this "expropriation of definition" (Entdefinierung) - irony towards aesthetisation as a key phenomenon of our times, or the ironic approach in the search for an immanently withdrawing goal, or Heidegger`s concept of timelessness (Gleichzeitigkeit) - create a new relationship between historical and artistic elements, without the past being suppressed in favor of present.

 

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